I’d concur it’s not a “punchy” system, but I’d say it’s not trying to be. It reproduces pretty faithfully and fully at middle volumes. As to what part of the “lux” package it represents price wise? Hard to say. I wanted the 360 cam and the ACC. The lux package on my sticker was $2850 all in.
No amp required, many have done just the speakers.
Job 2 change maybe? or maybe the change happened with Job 1?
It was Job 1 2025.
Though Ford's cost per speaker is probably around $10.
You must be better at mixing the mechanicals than I am... I tend to get tonal mismatches. Sometimes I can live with it if I have a lot of physical separation between the cones but this is a small close area. Brightness in this environment I will try and address by either changing to "matched" sets of cones with a softer tweet (silk dome?) or simply dialing in more roll off in the top end using the DSP....
Nahhh it just that what I have to work with on experimental basis and since pods are just fill tuned for front stage Im specualating it might be worth the hour to swap around since ive done it enough times playong with Hertz MP 70.3 that had on hand before buying another GZ coax...besides im using the B&O because it has a pretty good tune sounds great on 250-320 kbs....just too bright on flac rez... curios more than anything since AP4 has a reasoable graph up to 10K hz and Im not gonna toss $600 of GZ coax out....they have silk dome tweeter. Cross frquency is 6000 hz which may explain brightness because on a DSP I would have 4" woofer cross at 600-3.5K and tweeter 3.5-20 with a 3-4 db cut in the 3-4k range or so
